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Technological Distraction on Photography


"Show me a photographer and I’ll show you a fetishist,” said, grEGORy Simpson, or Egor, a professional photographer and a man behind ULTRAsomething. "Sharpness is nothing more than a fetish. So, too, is tonality. Noise, contrast, micro-contrast and megapixels? All fetishes."

In today's world we are surrounded by technologies but what has it to do with fetishes? Many say that these technologies are distracting us away from the world of photography to the world of technology instead. With fancy features such as autofocus and 'auto-o-everything' they enable us to easily take photographs.

barack obama


แ€•๊จฃꨶแ€›๊จ€္ꨶ ๊จŸုแ€ž္แ€žꨱ๊จ“္ꨶ ๊จกူแ€္แ€•๊จฃꨶแ€™๊จฃꨶ ( Barack Hussein Obama) ๊จ€ူိแ€္แ€•ီ 1961 แ€œူိ๊จ“္ေ๊จก๊จฃ๊จ€แ€္แ€ž္ 4 แ€๊จ“္း แ€ီꨳ ๊จŸူแ€„္းแ€š๊จฃ ๊จ๊จฃꨶแ€•ိ๊จกူแ€္แ€ꨱแ€„္း ๊จŸူแ€္ꨶ๊จ“ူแ€္แ€œူแ€œူแ€™ူိแ€„္း๊จŸ๊จฃꨲแ€ꨯ๊จคꨲ ๊จ…ုိแ€„္แ€™ူိแ€„္း ๊จกေแ€™แ€›ိ๊จ€ แ€™ူိแ€္แ€•๊จฃꨶแ€›๊จ€္ꨶ ๊จกူแ€္แ€•๊จฃꨶแ€™๊จฃꨶ แ€œꨯꨳ แ€žြแ€„္ ๊จူแ€•္ꨲ๊จ“๊จ“္ေแ€•๊จฃꨳꨬแ€™แ€™๊จ“္း๊จ…แ€္แ€œꨯꨳแ€•ꨰแ€္ꨳ๊จ€๊จ“္ေแ€ž။ แ€™ူိแ€္แ€™๊จ“္း๊จ…แ€္แ€œꨯꨳ ๊จŸူ๊จ€္း๊จူแ€•္ꨲ๊จ“๊จ“္ꨵ ꨬแ€™แ€™๊จ“္း๊จ…แ€္ꨳ๊จုိ๊จ“္းแ€ꨲ๊จ“๊จฃꨳ๊จŸူိ๊จ“္းแ€™္ꨮꨲေแ€ž แ€•ီ 1967 ๊จ“๊จ“္ꨵ๊จกူแ€္แ€•๊จฃꨶแ€™๊จฃꨶꨬแ€œꨬแ€™ꨳแ€™๊จ“္း๊จ…แ€္ꨳ๊จꨯ๊จคꨵ๊จ€ꨮ๊จฃꨲแ€šူแ€™ူိแ€„္း ๊จกိ๊จ“္แ€ူแ€္ꨶ๊จ“ီးแ€ž်ဴိแ€္း ๊จ€ြแ€•္แ€•ူိแ€္ေแ€•๊จฃꨳแ€™္ꨮꨲแ€™๊จ“္း๊จ…แ€္ 
แ€•ꨱ๊จ“္๊จ€ူ๊จ“္းแ€™ူိแ€„္း๊จกိ๊จ“္ꨲแ€ူแ€္ꨶ๊จ“ီးแ€ž်ဴိแ€္း။

five things to avoid on facebook





๊จŸ๊จฃꨳแ€œြแ€„္ꨳ๊จก๊จ“္แ€œူแ€္ꨲ ๊จ˜๊จคแ€„္ꨵ ေแ€•๊จฃး๊จ…္ꨮꨵ Facebook!

๊จ˜๊จคแ€„္ꨵ ေแ€•๊จฃးေแ€ ๊จŸแ€•္ꨵแ€•ꨱ๊จ“္แ€ꨯးေ๊จ€๊จฃꨵ๊จ…ြแ€™္း๊จ€ူ๊จ“္း๊จก๊จ“္๊จกแ€™္ꨲ๊จŸူꨵ๊จ…๊จ€္း

แ€žแ€„္แ€๊จฃꨳแ€™ီး๊จ€ူ๊จ“္း๊จ္ꨮꨳแ€™๊จฃးแ€•ꨱ๊จ“္แ€ꨯးေ๊จ€๊จฃꨵ๊จŸแ€္း๊จ“္ꨮး ๊จ˜ꨱแ€္ꨵแ€•ု๊จ€္ꨵ (Facebook) ๊จ“ꨯ๊จ…ုိแ€„္ แ€ူ๊จ“္ꨵแ€ူ๊จ‰္း๊จกြ๊จ“္แ€๊จคแ€„္းေแ€
꨸๊จŸแ€•္ꨵแ€•ꨱ๊จ“္แ€ꨯးေ๊จ€๊จฃꨵ꨸။ ๊จ€ြแ€•္ꨳแ€•ူိแ€္ꨳแ€๊จฃꨳแ€š๊จคแ€™္ꨳแ€™ီး ๊จ“๊จคแ€„္းแ€šိแ€„္းေ๊จ€๊จฃꨵ๊จ“ုိแ€„္ꨳ๊จ“္ꨮးแ€™ူိแ€„္๊จกိแ€„္း๊จ€แ€œꨱแ€္ꨳ แ€™๊จ“္း๊จ“๊จคแ€„္း๊จŸแ€•္ꨵแ€•ꨱ๊จ“္แ€ꨯꨳေ๊จ€๊จฃꨵ
๊จ…ြแ€™္း๊จ€ူ๊จ“္း๊จก๊จ“္๊จŸူꨵ๊จ…๊จ€္းေแ€ž แ€ꨯ๊จคးแ€œแ€„္แ€™๊จฃးแ€™๊จ“္း๊จŸ๊จ“္๊จꨰแ€•္း๊จŸ๊จคแ€„္ꨳแ€™๊จ“္း๊จ“္ꨮးแ€ꨱแ€•္ꨵแ€žꨯꨵ ๊จก๊จ“္๊จ€ꨱแ€္ꨲแ€œူ๊จ‰္ꨳ๊จ€๊จฃꨲแ€™
ေแ€žแ€ꨰแ€™္ꨳแ€œြแ€„္ꨳ๊จกแ€™္ꨲแ€œီแ€ž္ꨮꨲแ€™๊จ“္๊จ“๊จคแ€„္း๊จ“ꨯแ€šแ€္ꨵ။

british colonial era

แ€•๊จค๊จ“္๊จกိแ€„္း๊จ€แ€œꨱแ€္ꨳ

๊จกိแ€„္း๊จ€แ€œꨱแ€္ꨳแ€™๊จ€္းแ€™๊จ“္ꨳแ€™ူိแ€„္း๊จ…แ€္ꨳ๊จ˜๊จฃꨵแ€ꨯးแ€แ€„္းแ€žꨱแ€„္ꨳแ€•ꨱ๊จ“္แ€™ူိแ€„္းแ€šူꨲแ€္ꨮꨳေ๊จŸ๊จฃ๊จแ€™္း ๊จกိแ€„္း๊จ€แ€œꨱแ€္ေแ€ž๊จกแ€္๊จŸူแ€™္ꨲแ€œူแ€™္ꨳแ€•๊จ“္၊ แ€™ူိแ€္ꨳแ€•ီ 1890 แ€œူိ๊จ“္แ€™๊จคแ€္ꨵแ€ž္๊จ“๊จ“္ꨵ ๊จŸꨱแ€္းแ€•ြꨯးแ€™ြแ€•္ꨳ (SANAD) แ€•๊จ“္แ€•ု๊จ“္ꨳ๊จ•ြ๊จ“္း๊จ…แ€္ꨳ๊จ˜๊จฃꨵ๊จแ€္แ€ီꨳแ€แ€•္ꨵ๊จกိแ€„္း๊จ€แ€œꨱแ€္ꨳ แ€™ူိแ€„္းแ€žြ๊จ€္ꨲ ๊จŸိแ€™္း๊จ“ြแ€„္๊จŸꨯ๊จคးแ€š๊จฃꨳ๊จ“๊จ“္ꨵแ€šแ€္ꨵ။ แ€‘ုိแ€„္แ€™๊จฃးแ€•ီ 1894 แ€œူိ๊จ“္แ€žꨰแ€•္ꨶแ€‘ꨰแ€™္๊จ–ူိแ€္ꨶ 15 แ€๊จ“္း แ€แ€•္ꨵแ€™ူိแ€„္းแ€žြ๊จ€္ꨲ
๊จꨯ๊จคꨵแ€™๊จฃးแ€ꨱแ€„္းแ€ူ๊จ“္ꨳแ€ီး ေแ€ž แ€แ€„္ꨳ๊จกแ€္แ€ꨱแ€„္းแ€ူ๊จ“္ꨳแ€ီး แ€•ꨱ๊จ“္แ€ꨱแ€„္းแ€„แ€္ꨳแ€™ူိแ€„္းแ€ꨯး။

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